The linguistic fraction of hip hop in Mzansi has been on the up for quite a while now, whereby rapping in vernacular has become an in thing and not a hindrance in one's career. The power and influence of these indigenous languages have grown to a point where some English rapping artists have seriously considered being more expressive in their mother tongues.
Today's inspirational cut, regarding our regular feature, Throwback Thursday: Now & Then is derived from the late rap icon, Prokid. Many will agree with the notion that, this particular rapper was one of many who definitely set the bar high up, were only the best new age rapper/s could climb up and continue with the baton. The rise of rapping in vernacular was primarily inspired by the need for a "South African sound"; hence English had been put on some kind of a pedestal.
This rapper has befittingly dubbed himself as the 'Motswako Origantor'. Khuli has come a long way with his SeTswana inspired lyrics as it is indicative of his heritage. During the course of his illustrious career, Khuli Chana has garnered legions of fans that have come to appreciate him and his preferred language of expression.
The Skhanda god himself has carved an impressive solo career after the disbandment from hip hop group, Teargas. When one listens carefully to his array of records and overall albums, there is bound to be a meeting of Kwaito nuances and that alone should serve as an indication that K, O's sound is truly and authentically South African. We see you Mr Cashtime.
Zakwe has also mastered the art of rapping in vernacular. He is shown commendable growth since the beginning of his career, and has never swayed from rapping in his mother tongue – IsiZulu.